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A History of Engraving and Etching (Dover Fine Art, History of Art) de Arthur M. Hind
Descripción - Reseña del editor British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, The Later Development and Decay of Line-Engraving, Etching in the Eighteenth and Early Nineteenth Centuries, The Tone Processes, and more. Contraportada Arthur Mayger Hind (1880–1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written. This book, formerly out of print for many years, contains references to every etcher or engraver worthy of mention from the early fifteenth century to 1914, and it gives a fair account of influences, artistic repercussions, and accomplishments of each individual.Beginning with a chapter on processes and methods of the twin arts, in which he covers line-engraving, etching, biting and stopping-out, tone processes, the tools used in the various methods, and so on, the author proceeds with a text that is fabled among artists, art historians, teachers, and students for its richness of detail and the brilliance of its author’s obvious genius for research and criticism. He begins with the anonymous engravers of the fifteenth century, moves through Holland, Italy, and Germany to the great masters of engraving and the beginnings of etching in the sixteenth century, through the portrait engravers, master etchers, the practitioners of mezzotint, aquatint, crayon manner and stipple, and color print makers, to modern etching in the period prior to World War I. All along the way there are illustrations: over 100 magnificent works by Dürer, Finiguerra, Cranach, Lucas Van Leyden, Parmigiano, Van Dyck, Rembrandt, van Ruysdael, Blake, Tiepolo, Piranesi, Turner, Boucher, Goya, Millet, Whistler, and scores of others. All but seven of these plates have been reproduced from new photographs and are even sharper and clearer than those in the original editions of Hind's great text.As an aid to students of art history, there is a massive Index of more than 2,500 artists mentioned in the text, with their dates and brief individual biographical data. Furthermore, there is a classified chronological list, arranged by country, of important artists, movements, and styles, and the engravers and etchers who were influenced by them. Finally, there is a bibliography that is valuable for further reference work.
Detalles del Libro
- Name: A History of Engraving and Etching (Dover Fine Art, History of Art)
- Autor: Arthur M. Hind
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 12 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
[Download] A History of Engraving and Etching (Dover Fine Art, History of Art) de Arthur M. Hind libros ebooks
A History of Engraving and Etching - Dover Publications ~ Arthur Mayger Hind (1880–1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written.
A History of Engraving and Etching (Dover Fine Art ~ A History of Engraving and Etching (Dover Fine Art, History of Art) - Kindle edition by Hind, Arthur M.. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading A History of Engraving and Etching (Dover Fine Art, History of Art).
A History of Engraving and Etching (Dover Fine Art ~ Arthur Mayger Hind (1880–1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written.
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The Complete Engravings, Etchings and Drypoints of ~ The Complete Engravings, Etchings and Drypoints of Albrecht Dürer (Dover Fine Art, History of Art) - Kindle edition by Dürer, Albrecht, Walter L. Strauss. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Complete Engravings, Etchings and Drypoints of Albrecht Dürer (Dover Fine Art, History .
: The Complete Engravings, Etchings and ~ The Complete Engravings, Etchings and Drypoints of Albrecht Dürer (Dover Fine Art, History of Art) Paperback – June 1, 1972 by Albrecht Durer (Author), Walter L. Strauss (Editor) 4.0 out of 5 stars 46 ratings
A short history of engraving [and] etching : for the use ~ A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers by Hind, Arthur Mayger, 1880-1957
Engraving / art / Britannica ~ Engraving, technique of making prints from metal plates into which a design has been incised with a cutting tool called a burin. Modern examples are almost invariably made from copperplates, and, hence, the process is also called copperplate engraving. Another term for the process, line engraving,
History of Engraving and Etching, Dover Fine Art, History ~ Arthur Mayger Hind (1880–1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written.
A History of Engraving and Etching Dover Fine Art, History ~ A History of Engraving and Etching Dover Fine Art, History of Art: : Hind, Arthur M.: Libros en idiomas extranjeros
A History of Engraving and Etching by Arthur Mayger Hind ~ Arthur Mayger Hind (18801957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written.
Engraving: Printmaking Technique - Art Encyclopedia ~ St Christopher (1521). Engraving by the German North Renaissance printmaker Albrecht Durer.: Fine Art Engraving: Type of Printmaking. This fine-art intaglio printmaking process, derived from goldsmith engraving techniques, dates from pioneering work by Northern Renaissance German printers during the first half of the 15th century. Engraving involves the incision of a design onto a metal .
A History of Engraving and Etching eBook por Arthur M ~ Arthur Mayger Hind (1880–1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written.
A History of Engraving and Etching by A M Hind - AbeBooks ~ Brand new Book. Arthur Mayger Hind (1880 1957) was a leading historian of engraving, one of the most highly respected art historians of modern times. Keeper of Prints and Drawings at the British Museum and Professor of Fine Art at Oxford, he was the author of the most complete history of etching and engraving that has yet been written.
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Intaglio Fine Art Prints - about etching and engraving ~ The gravure etching process is extremely difficult, more of a craft skill than the art of an engraver, demanding in the etcher a unique knowledge and feel for the length of time that the plate must remain in the acid bath: too long and the plate will produce prints with too much contrast, too short and the prints will have a grey appearance.
Engraving – Art Term / Tate ~ The design is manually incised into an engraving plate using a burin, an engraving tool like a very fine chisel with a lozenge-shaped tip. The burin makes incisions into the metal at various angles and with varying pressure which dictates the quantity of ink the line can hold – hence variations in width and darkness when printed. The technique of engraving metal dates from classical .
Etching, Engraving and Other Intaglio Printmaking ~ Etching, Engraving and Other Intaglio Printmaking Techniques (Dover Art Instruction) - Kindle edition by Leaf, Ruth. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Etching, Engraving and Other Intaglio Printmaking Techniques (Dover Art Instruction).
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Definition of engraving in Art History. - OER2Go ~ Along with engraving, etching is one of the most important methods of printmaking in the tradition of the old master prints, and is still in wide use today. The switch to copper plates was probably made in Italy, and thereafter etching soon came to challenge engraving as the most popular medium for artists in printmaking.
Engravings by Hogarth (Dover Fine Art, History of Art ~ Engravings by Hogarth (Dover Fine Art, History of Art) eBook: Hogarth, William, Sean Shesgreen: : Kindle Store